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It’s not until recent years that explicit, non-evil LGBTQ characters in children’s TV have become a thing. And as much of a bad bitch as he was retrospectively, he was ultimately there to terrify children. Him was a camper-than-life devil-like creature, who wore thigh high black stiletto boots. Depending on where you fall within the debate, these characters are to be celebrated for their overt queerness, their evilness just being part of the anti-heteronormative counterculture or they are to be berated as a part of a vile old trope in which gays, gay men in particular, are inherently bad.Įither way, where 90s cartoons are concerned, the most prominent Evil Gay was Powerpuff Girls villain, Him.
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Disney was full of them: Captain Hook, Jafar, Scar, Ursula (who was literally based on the drag queen Divine). The cackling and fabulous, the camp and cunning. Events and Offers Sign up to receive information regarding NS events, subscription offers & product updates. Ideas and Letters A newsletter showcasing the finest writing from the ideas section and the NS archive, covering political ideas, philosophy, criticism and intellectual history - sent every Wednesday. Weekly Highlights A weekly round-up of some of the best articles featured in the most recent issue of the New Statesman, sent each Saturday. The Culture Edit Our weekly culture newsletter – from books and art to pop culture and memes – sent every Friday. This Week in Business A handy, three-minute glance at the week ahead in companies, markets, regulation and investment, landing in your inbox every Monday morning. Green Times The New Statesman’s weekly environment email on the politics, business and culture of the climate and nature crises - in your inbox every Thursday. The New Statesman Daily The best of the New Statesman, delivered to your inbox every weekday morning. World Review The New Statesman’s global affairs newsletter, every Monday and Friday. Morning Call Quick and essential guide to domestic and global politics from the New Statesman's politics team.
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It’s possible that Ren and Stimpy’s was the first representation of a fictional same-sex relationship I ever saw. But with all the horrendously detailed renderings of bogeys, and whatnot, I was too busy feeling simultaneously compelled and repelled by the animation itself to pay any attention to Ren and Stimpy’s relationship – one that, by the way, was incredibly volatile and abusive. The two male titular characters, a Chihuahua and a cat, even shared a bed. We had the likes of The Ren & Stimpy Show that – aside from being one of the grossest things on television even by adult standards – was pretty gay. But if you looked hard enough in the Nineties, the queers were there, sort of. The emergence of LGBTQ characters in children’s TV has been slow and more fraught with controversy than is really fair in a world where there are literal beauty pageants for toddlers.
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Fast forward to 2019, and the makers of My Little Pony – the cartoon, not the toys – have just introduced a lesbian couple to the programme. But when it came to TV shows, I was pretty much bereft of representation.
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Like many lesbian kids of the Nineties, I felt a strange kinship with Mel C and had a huge crush on Miss Honey from the film version of Matilda.